Lee Sangsoo

Three Birds, 2017
Resin, 28 x 30 x 53 cm

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About the artwork

Lee Sangsoo (born 1983) is a South Korean artist. He studied sculpture at Dong-A University College of Arts and obtained his Masters degree at Hongik University Graduate School of SculptureMy dream was to be a painter. I enjoyed drawing in elementary school and art lessons in middle school. Naturally, after studying art in high school and university, I proceeded onto graduate school. However, the more I learnt about art, the more difficult it became. More often than not, when we study a subject on a deeper level, it is no longer as fun or enjoyable, and starts to feel like work. Although art used to be pleasurable and relieve my worries, it now became a source of stress. Art became my livelihood and I felt pressured to produce one of a kind works that no artist created before. The more I aged and learned, the more distance I felt between me and my art. I spent this period lost and wandering.



About the artist

Lee Sang Soo (born 1983) is a South Korean artist. He studied sculpture at Dong-A University College of Arts in Busan, and obtained his Masters degree at Hongik University Graduate School of Sculpture in Seoul, South Korea. 
Fascinated with innovation and new technologies, Lee Sang Soo questions our relation to nature in a hyperconnected world. 
His works appear extremely dynamic, an impression he achieves through an intricate use of positive and negative space in three dimensions. His animals, minimal in form, but extremely lively in colour, are represented only through clean, twisting lines. Through a subjective perspective, Lee Sangsoo grasps and captures deceptively simple morphological traits, making his figures immediately recognizable.
Cats, dogs, pigs, roosters, deer, flamingos and swans dialogue with the surrounding space and create very evocative, elegant, dynamic, and coloristic effects.
 “Lines, planes, and colours are important elements in my sculptural practice. The lines drawn in my two-dimensional sketchbook determine the large flow and form of the work, and the sculpture becomes three-dimensional only in the three-dimensional space. On paper, the square lines are shown in various shapes and colours according to their flow and twist within the sculpture, and even in the still work can the motion be felt. The lines are rhythmically thickened or thinned according to the flow.” Lee Sang Soo


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