The Rules What is love? Expensive and meaningless Ultimately a wave of emptiness Yearning for something to bite Unpromised night Burning two and one third's human body Knowing should not but no way to control Indulging the heart After turquoise becomes blue becomes gray become familiar fear From the desire of DNA
Fung Ming Chip (b. 1951, Guangdong, China) is a Hong Kong-based artist who is active as a painter, photographer, playwright, sculptor and poet. He was raised in Hong Kong and moved to New York in 1977. Since 1986, he was shuttling between New York, Hong Kong and Taiwan, and finally settled down in Hong Kong in 2006. Fung is a self-taught artist rooted in Chinese tradition, training, and discipline. He is dedicated to innovation and explorations of continuity and transformation. For Fung, calligraphy - an art of time, space, and movement - is closer to music and dance than to Chinese literature. The structure of the character becomes the choreography for his brush. Aside from his many international exhibitions, Fung's work is also included in major private and institutional collections around the world, such as Ashmolean Museum (Oxford University, England), Hong Kong Museum of Art (China), Israel Museum (Israel), Metropolitan Museum of Art (USA) and the White Rabbit Collection (Australia). Read More
2013
M. Sutherland Fine Art, New York, NY
Metropolitan Museum of Art, "Ink Art: Past as Present in Contemporary China", New York, NY
Sin Sin Fine Art, Hong Kong, China
2010
Sin Sin Fine Art, Hong Kong, China Selected
2009
Gebert Contemporary, Santa Fe, New Mexico, USA
2007
Gebert Contemporary, Santa Fe, New Mexico, USA
2006
Leda Fletcher Gallery, Shanghai, China
Leda Fletcher Gallery, Geneva, Switzerland
"Recent Work, Fung Ming Chip", Alisan Fine Arts, Hong Kong, China
2005
Ink, Goedhuis Contemporary, New York
"Beginning of Infinity", Neuhoff Gallery, New York, USA
Goedhuis Contemporary, New York, USA
2004
Rational Line, Jesus College, Cambridge University, UK
A Book, Plum Blossoms Gallery, New York, USA
Goedhuis Contemporary, New York, USA
2003
Up Down Left Right – Modern Perception in Chinese Calligraphy, Plum Blossoms Gallery, New York, USA
Goedhuis Contemporary, New York, USA
2002
Gestures, Neuhoff Gallery, New York, USA
Paris-Pekin, Espace Cardin, Paris, France
China, Museum Saap, São Paulo, Brazil
10 Chancery Lane Gallery, Hong Kong
Gallery Saka, Tokyo, Japan
2001
Hanart TZ Gallery, Hong Kong
The Rhythmic Line: Contemporary Calligraphy, Alisan Fine Arts, Hong Kong
Tradition and Experimentation: Chinese Calligraphy of the Millenium, Ho’s Gallery of Calligraphy Arts, Taipei, Taiwan & Kaohsiung Museum of Fine Art, Kaohsiung, Taiwan
China Without Borders, Goedhuis Contemporary at Sotheby’s, New York, USA
2000
Goedhuis Contemporary, London, UK
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