Mixed Medium on Canvas, 80 x 100 cm
USD 2,600 – 3,700
About the artwork
Self taught Belgian artist Jean-Francois Debongnie is known for his contemporary floral presentations, that are influenced by the two decades he has spent living in Asia. Having fallen in love with Eastern cultural and aesthetic traditions, Debongnie works exclusively with water-based acrylic and Chinese ink to create his atmospheric and ethereal pieces. In this work, the thin winding stems of the flowers convey their delicate nature, emphasised by the purity of their white colouring, which is contrasted with the solid texture of the flower heads they support. The seemingly disparate colours Debongnie uses for the background, vibrant red against muted black are balanced harmoniously, and give his botanical scenes a dramatic and mesmerizing quality.
About the artist
Jean-Francois Debongnie, born 1968, is a native of Brussels, Belgium and has spent close to two decades in Asia. Since 1989, Jean-Francois has been residing in Singapore and initially eked out his living as a photographer, specializing in black and white photography. However, painting has always been a first love for him. The art of Jean-Francois Debongnie, like the man himself, bridges two worlds. His works explore flowers in various forms of representation, simply because he finds flowers a fascinating subject to explore. He started out with representational flowers and evolved them into more abstract representations. Throughout the evolution of the floral representations, their overall impression has been one of movement where the fluid stems of the flowers give the impression that the flowers are dancing on the canvas in a celebration of life. His works are at once vibrant and contemporary, with a cosmopolitan feel that would enliven any living space. It's all just playing with water and ink - Jean-Francois modestly professes, but of course it's a lot more than just that. His paintings are all about subtleties - he has painted the same theme over and over again and it is in the subtle nuances that his art lies.Go to JEAN-FRANCOIS DEBONGNIE's profile ›