Zhang Jian Long
Nature at Play



The bronze sculptures of Zhang Jian Long are playful and whimsical, each of the boys possess their own strong character that show through their facial expressions and comical positions. They remind us of the carefree, natural spirit of childhood.

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  • +Artist Bio

    In 1982, Zhang Jian Long was born in Lanzhou, Gansu Province, and graduated from the Fine Arts Department of Nanyang Normal University, Henan Province, in 2004. His graduation art piece was published in the 2003 Annual Works of China Fine Arts Academies and he has since exhibited extensively in China. Zhang's paintings attempt to look through a child’s eyes, depicting an ideal world of innocence and joy. Free from the confines of modern society, Zhang's works show us the human spirit's full, unbridled potential while also shedding light on the constraints of modern society and 'adult' life. Read More

  • +Critique

    Sharpness and Tranquility 
    By: Denney Gao

    In this selection of paintings chosen for the exhibition "Original Experience," Zhang Jianlong combines elements of traditional folk arts such as shadow puppets, paper cutting and ceramics to produce paintings that depict a Chinese culture unadulterated by the complexities of modernity. A young man from Northwestern China, Zhang Jianlong combines earth and air to produce a sharp new vision, using bright colors to outline his subjects' inner worlds as he asks urbanized society to reflect on its experience. Zhang Jianlong's work should be seen as a sign that the young generation of artists born in the 1980's has arrived, bringing with them artistic language reflecting their unique cultural and historical background. As we step into the 21st century we should stop to look back upon China's artistic history during the last decades of the previous century, with the "Sentimental Art" of the late 1970's, the "Neo Classicism" of the 1980's, the "New Age" and "Political Pop Art" movements of the 1990's all forming schools with very distinctive characteristics that were products of their times. The 2000's now bring the crunch of a collision between light and dark, of history colliding with present day reality, of capitalism vying with idealism, and of the will to live competing with the temptation to merely exist. This clash between light and dark, not only in art, but also in politics and economics, has created the necessary environment for the emergence of a movement towards a new conceptualism.

    In this pursuit, Zhang Jianlong uses color to show what life can be, with large flat swatches of color expressing the artist's clear and unyielding attitude towards the human experience. Zhang Jianlong's artistic language is at its sharpest when he employs the motifs of subjects partially rendered as leather shadow puppets and mouths that are stretched wide open. The subjects in his paintings walk down a road, as people in life walk along a path bounded by the realities of their individual circumstances. Zhang Jianlong walks along the promising yet inhibiting path of self-development. Language isn't always strong enough, the voice doesn't always carry, there is no way to free oneself from the toil of expression. The struggle the artist is engaged in is fully expressed in his work, courses through his veins and defines his existence as an artist. Yet after the surge of ideas ebbs, life is natural, passion is real, struggle is abstract, art is incisive and society is still complicated.

    Perhaps culture can explain philosophy, and perhaps in the reality of human life culture is ignored, so how can philosophy save reality? Only artists set out to experience the answers to these questions. Sometimes not as clearly but always full of determination, Zhang Jianlong's voice rings out as he stands together singing art's melody with this contingent of those who have made this choice. We know they have arrived. There is no need for them to stay on the sidelines with bound hands and feet. It is now time for the new generation to take the initiative and participate in the process of creating a better society. Those that know Zhang Jianlong soon discover he is a quiet person who likes to take life with a smile. The impression we get is that he is a genuine and gentle young man, yet his gentleness masks his underlying passion. In this instant, we are revisited by memories, we are reinvigorated; the unremitting pursuit of life gives affords us opportunity and passion.

    Zhang Jianlong's paintings have made a deep impression on me, with their snowcapped mountains, broad plains, childlike innocence, hardships, helplessness, and smiles. There is happiness, there are struggles, and there is freedom. The human is displayed alongside the natural, tranquility alongside conflict. The intensification of these contradictions allows the artist to gradually progress towards rational consideration and to reveal a search for deeper meaning on a simple canvas. The artist should not think of this before lifting his brush. On the contrary, it must burst forth from the subconscious. This is a choice, but also no choice at all. It is real, but also not wholly real. This feeling is right, this language has spoken and this attitude is more firmly fixed.

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