Lorenzo Quinn was born in Rome in 1966 and was the son of the famous actor ANthony Quinn. He studied at the American Academy of Fine Arts in New York and subsequently in workshops and foundries across the United States and Europe.
Ode to Art in collaboration with Dr. Bhau Daji Lad Museum , IDF Singapore, and the Consulate-General of the Republic of Singapore presents ‘The Spirit of Ink’ by Singapore’s pioneer artist Lim Tze Peng - his solo exhibition in Mumbai, India.
Award-winning Indonesian artist Vani Hidayatur Rahman unveiled an exciting line-up of 15 brand-new works in his first-ever solo exhibition in Singapore that opens on 20 June 2019 at Ode To Art Gallery. Based in Yogjakarta, the 38-year-old Indonesian contemporary artist is renowned for his vivid, distinctive and realistic style. He has received a number of art awards including the Best Painting accolade at the 2012 Jakarta Art Awards, recipient of the 2013 UOB Painting of the Year Silver Award and was a finalist at the 2008 Jakarta Art Awards. Vani’s acrylic paintings are decidedly modern, using urban imagery to reflect his life growing up in a rapidly developing Indonesia. He is especially gifted with textures, using brilliant colours and deft strokes to elevate flat paint into arresting, layered visuals.
Critically acclaimed Chinese artist, Ren Zhen Yu has been increasingly recognised for his distinctive portrait series of historical and political icons. Painting figures such as Mahatma Gandhi, Mother Theresa, Albert Einstein, Lee Kuan Yew and Mao Zedong, Ren has managed to transform the way we usually view these icons. In his works are a spectrum of colours that are juxtaposed to create a unique expressionist interpretation of famous faces and textures built on layering to reinforce the portrayal of faces from dierent perspectives. Ode to Art is proud to present you the solo exhibition of Ren Zhen Yu, 一个人 。 一个世界。(One Man, One World.
Capturing the Spirit is Ronnie Ford's third solo exhibition at Ode To Art, Singapore. We are honoured and privileged to be able to showcase Ronnie's sublime landscape works among his collectors and friends. This new collection of works reflects his travels and experiences, dreams and meanderings over the past months - the familiar landscapes of France, more recent inspiration from the drama of Switzerland, all celebrating the joyful colours of nature, her mesmerising meadows, her majestic mountains, her bountiful blossoms, her tracery of trees.
Ford's unique texturescapes evolved from his studies of sculpture and optical arts. An artist of versatility and great originality, he has spent time in the Far East, during which he acquired an artistic acumen that challenges western perspectives and became inspired to explore the Chinese idea of taking a journey through the landscapes. The landscapes are all about preserving the integrity of the place while expressing feelings that were awakened when he was there.
It began with Ford studying the landscapes, and in time, detaching himself from it to filter out the unnecessary details. Using his memory, he captures the spirit of what he has seen on his canvasses, creating powerful impressions, rather than representations, of the place. Ode To Art is delighted to present his second solo exhibition in Singapore, Rhythms of Nature.
As a prolific artist in the pen and wash technique, Singaporean artist Chin Chun Wah Harry’s comeback is seen as a natural and inevitable transition after a 43-years hiatus. Most of his earlier works are of old Singapore street scenes, especially those in Chinatown, the Singapore River and its surrounding areas—all favorite spots for outdoor sketching and painting by Singapore artists, even today. Chin’s skillful sketching techniques and perfect perspectives can be seen in the way he depict scenes with light, deft strokes rendered within minutes. Ode to Art is delighted to present Chin Chun Wah Harry’s Moments, a tribute to Singapore’s history of urbanization and modernization.
A young acclaimed Chinese artist with a strong focus on expressionism painting, Liu Zhen Yong will exhibit his latest works at the much anticipated Art Stage 2016 Singapore on behalf of Ode to Art Gallery. His artworks have its roots in traditional Chinese painting. Through his artworks, viewers can discern the essence of Chinese painting, namely yi qi —a standard of good paintings in ancient China— and shen si —images of people and mountains that are in a state similar and dissimilar to the original forms. Liu had Exhibited in international shows in France, Italy, USA and Germany.
Internationally acclaimed sculptor and painter Wu Qiong is back in town to present his exhibition, Here and Now. This exhibition is his open invitation into a state of consciousness replete with luscious dreamscapes, whimsical characters and compositions. His newer masterpieces are more subtle, allowing more open-ended interpretations and portraying more powerful emotions and feelings.
These visceral feelings are communicated through postures, facial expressions and depiction of characters. This allows for more emphasis on individual characters and development of their emotions. Wu’s distinctive cartoon style is obvious, and it resonates with the aesthetic of a generation absorbed with graphic novels, comics, digital worlds, animation and gaming.
The characters have their eyes closed and mouths agape. Their upturned faces and shut eyes suggest that havoc is unfolding in their dreams. Wu hopes to tap upon this notion through the recurring use of this facial expression, allowing viewers to draw their own associations with the different scenarios presented in his works.
“Here and Now represents an entry point into a state of mind or being, with no single definition or explanation as to where ‘here’ is. I want to engage in a dialogue with viewers, introducing scenarios that would provoke thought or trigger memories and experiences. I want to highlight the wealth of emotions contained within my characters. They are a manifestation of common emotions and considerations of society; hopefully these feelings will resonate with viewers even if the situations and contexts, which I present them in, do not,” says Wu.