Vani Hidayatur Rahman

LP Refresh #2, 2017
Acrylic on Canvas, 150 x 200 cm

USD 4,300 – 6,200

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About the artwork

Time is a fascinating tool. As time passes, it is assumed that many good and bad events would have happened too. There are occasionally times of struggle and low-points in which we have to take a step back, relax, and refresh, ourselves before moving forward. Therefore, the artist has reinterpreted ‘time’ to be moldable and definable despite the struggles of everyday life. With the unique forms of the bell atop the clocks, the regular is transformed into something witty and striking. This is a good reminder that despite the hard times one may go through, it is still possible to find fun and humor in every situation.



About the artist

Born in 1981 in Semarang, Indonesia, artist Vani Hidayatur Rahman is currently based in Jogjakarta. He has shown his works in various group exhibitions including ArtJog 2013: Maritime Culture, Taman Budaya Yogyakarta; Return to Home, International Union of Unified Ummah Cartoon Contest, Iran (2012); Manifesto, Indonesian National Gallery, Jakarta (2010). Vani has received a number of art awards including the Best Painting accolade at the 2012 Jakarta Art Awards and was a finalist at the 2008 Jakarta Art Awards.

Vani Hidayatur Rahman has made a name for himself with his distinctive and realistic style. With his highly complex paintings that are adorned with detailed embellishments, Vani imbues a strong concept and story into each piece and addresses pertinent political, social and environmental issues that span war to pollution. In his artwork entitled "Unity," Vani depicts a large ark - a motif that has been reiterated by other Indonesian painters such as Widayat and Amrus Natalya. However, Vani presents his own interpretation of the timber vessel by painting it in an unfinished stage of construction and glory - a group of workers on deck are still sawing, carrying wooden beams and measuring for dimensions. The flurry of activity is painted from a birds-eye view and aerial perspective, with the entire structure and frame visible - allowing the viewer to feel as if he or she is an omniscient being looking down from above. 

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