In contrast to the artist’s earlier works of tangled hair and motion, for the past five years all her figures have had shaven heads - which does not make them any less angelical - and are usually nude, in a relaxed attitude. The pedestal - a fundamental component in all of Aurora Cañero's work - lays out the boundaries for their worlds, or, as in the case of "Observadores" [Watchers] and "Soñadores" [Dreamers], the horizons. Rather than expanding, the figures contract in on themselves: they stop, meditate, and above all, gaze.This purity of form (the artist makes anatomy seem like the simplest of the sciences) is doubtless accompanied by a more concrete narrative.
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