Ong once mentioned, “When I observe a scene, I imagine the finished painting before I begin the actual process of sketching and painting. This is the moment I identify the darkest and lightest points of the scene in order to establish the contrasts. Once contrast placement has been decided, I start to sketch with a pencil...while sketching the scene I eliminate elements that obstruct the focal point to achieve the scene that I want to see.” This piece is such a scene with a clear focal point – the viewer experiences the sun-drenched setting as though he or she is physically there.
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