Hong Zhu An incorporates the very traditional Chinese art form of calligraphy into his paintings by setting calligraphy script alongside broad swashes of muted colour. The use of calligraphy identifies the work as keeping to one of the highest canons of traditional Chinese painting. The application of colour in ink-wash, spreading across the canvas, lends a washed-out, watery appearance. This gives an impression of a continuous moving and receding of layers to and from the forefront - the sense of movement being a defining characteristic of traditional Chinese painting.
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